11/26/2023 0 Comments Bear umbra modern![]() Bonus points when the bestow creature is an actual spirit. This is also thematic of how Shaman King’s Oversoul works within the manga’s universe, in this case conveying that the spirits that Yoh uses in the series were at one time sapient beings. Bestow allows enchantment creatures to act as either creatures or auras. While the totem armor mechanic is probably my favorite aura mechanic, Kestia’s home of Theros gives us the bestow mechanic. Newer cards like Octopus Umbra or Treefolk Umbra will be auto-includes, as I want to test out their capabilities. For the purposes of tuning the deck, I wanted to keep all the totem armor cards in mind, knowing full well that not every choice will likely make the final cut. Here they will protect our general while also turning on any non-enchantment creatures we’ll be running within our deck. Each aura acts as a helpful shell to keep our creatures alive, especially our general. In my eyes, totem armor was a good step towards trying to lessen the effect of your opponent using something like a Doom Blade on your enchanted creature. Umbras: Bear Umbra, Boar Umbra, Crab Umbra, Drake Umbra, Eland Umbra, Eel Umbra, Felidar Umbra, Hyena Umbra, Indrik Umbra, Mammoth Umbra, Octopus Umbra, Snake Umbra, Spider Umbra, Treefolk Umbra, Umbra MysticĪuras have been a favorite subtype of mine ever since I started playing Magic, even in spite of the fact that they represent horrible amounts of card disadvantage. Luckily Rise of the Eldrazi introduced totem armor, which has used the same artistic rendering every time Wizards had used it. This semi-transparent and oversized representation was the visual concept that I most wanted to bring to my decks over the years. Here spirits could be channeled into items like weapons or bracelets to become weapons more in the style of DC Comics’ Green Lantern. A concept known as Oversoul was later introduced as the Shaman Tournament became the driving force of the series. But as I’ve gotten deeper into crafting, I have actually decided on Kestia, the Cultivator-not that there is a terrible amount of difference between their potential builds.Īs Shaman King starts out, the primary way that a shaman interacted with spirits of the deceased-and in some cases, plants or wildlife-was through the use of their own body as a conduit to allow the spirit a brief opportunity to interact with the physical world. Today, I would like to sketch the skeleton of a deck inspired by Shaman King, with the hope that maybe just theorycrafting will push me closer to finally having a deck I’ve been searching for since Kamigawa block.Īs the deck started to take on more enchantress themes, my first thought was to use Estrid the Masked at the helm. That is something I’ve never been able to fully achieve. Much like how I originally came to Magic seeking to build a deck inspired by the Fellowship of the Ring, I wanted to bring my favorite manga’s feel to Magic was well. I found myself deeply invested in Magic’s version of Japanese mythology. As Kamigawa was being released, I came to the block with my foreknowledge from Shaman King and to be honest, that knowledge really paid off. There was something about the mix of the art style and the lore of the world that really sparked my imagination and invested me to the series. He enters the Shaman Tournament, a semi-millennial event that draws shaman from around the world to compete for the chance to become the Shaman King and ultimately, the wielder of the omnipotent Great Spirit.Īs far as I know, I was reading as premiered in North America during the early 2000s, and it quickly became my favorite series to keep up with month to month. ![]() The series is centered around Asakura Yoh, a laid-back and easygoing heir to the powerful shamanic Asakura Family. Within the world of Shaman King, a shaman is a person with the ability to communicate and fight with spirits. This was where I first discovered the series Shaman King and took my first steps into exploring Japanese mythology, coincidentally just in time for Kamigawa block in 2004. At first, it was to keep up with the Dragonball Z Cell Saga that had been currently running-I had no idea that the content I was reading at the time was over a decade old-but I started discovering new series as they were readily available every month. I had a monthly subscription to the manga anthology publication, Shonen Jump, during at least ninth through eleventh grade.
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